#MPC SOFTWARE 2 HOW TO#
#MPC SOFTWARE 2 MAC#

Set Logic to send clock to the MIDI output, and inside the MPC set it to receive clock from the 'Remote' MIDI port and it was rock solid. It creates a couple of virtual MIDI ports on your Mac, one is called something like Akai Remote - DAW (this is for Ableton Live Control), and the other is Akai Remote - MIDI (I think?).

I used the Akai Network MIDI app which used to work great. I've never used the plugin or the app for it, I just sync the MPC to Logic's clock and then record everything from the mixer into Logic. I actually haven't tracked anything into Logic in awhile now. I guess the MH stuff is class compliant then?

#MPC SOFTWARE 2 HOW TO#

Latency was unacceptable running the mpc plugin in logic, so first I was going to figure out how to rewire the mpc app into logic (assume that's how you do it ?) but then stumbled upon this coolness.Дamn that's rad haha. This interface is the best investment I've ever made in my studio I think, it just keeps getting better And the latency is low enough that things felt 'hardware snappy'. So now I have 16 audio channels fed digitally from the mpc to inputs 33-47 in logic, with the option to process them using awesome sounding metric halo plugins running on the interface dsp before arriving in logic.

#MPC SOFTWARE 2 MAC#

The MH supports multiple computers connected at once and with the mac hooked up via MHLink (ethernet) I can connect the mpc to MH over usb and have it pipe as many channels as I want (have set to 16 but can go to 128!) directly into the MH mixer app on the computer, where I can pass on the channels I want to Host inputs (i.e. Today I discovered something pretty amazing with the mpc and metric halo interface. And it's just that thing you want to tweak.ДЄnd that I don't get, or I'm missing something because I have not looked hard enough.Д®ither way, have had a lot of fun with it doing Synth Wave/melodic trance type of dnb You could just use one of the init presets, but I'm always in favor of time savers and efficiency in work flow, so then you'd have to tweak everything else back to where you wanted to be, when you already had things close but there's hidden settings you can't change. And then this varies between different sounds for some reasons, so it's not all that appear to have features you can't tweak. So you can swap the other osc, but you're stuck with the first. Although I wish you had more control over presets as I like to look for a preset that is close to what I'm after, and then tweak from there but it seems that some have features that are hidden, like some oscillator that is one half a sound. Useful feature, at least the one I tried 'synth attack'

Only recently noticed the fx rack preset stuff.

Mpc software 2